Noticias: What I’ve Been Up To…

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So I realize it’s over two months now since I left England, packed all my paints, charcoal, inks, pens, papers and a few clothes, and came to Barcelona.

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My three month trip has morphed into a six month one and I am completely at home for the moment. Home is in two parts, a room with light, a view over the city, an easel, and white walls becoming a patchwork of line and colour, and a communal studio where I spend my evenings painting from life alongside the Catalan retirees of Barcelona. This is also, pretty much, my social life.

And it fits.

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Trying to find my way back into oil painting and really understand it, i’ve been taking a lot of process shots which has resulted in these little animations which I love. Sometimes my favorite part is an in-between, unfinished stage – reminding me that sometimes you have to  just stop! This one was done on a portrait i had scrapped and sanded down.

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Not only painting, I’ve had some great models, known and strangers and been drawing –

A LOT.

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Some of these drawings are already up on Etsy and the shop is looking more spry than ever, and, much more representative of my current work. No painting up there yet but i’ll bargain on it soon!

Drawing from movement and dance has been the best thing…. finding  where observation, memory and imagination meet, giving each its space and letting them play together…

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See my works in progress on Instagram @BlancheEllisArt 

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Also, in MUSIC NEWS...

I’ll be playing solo as part of a showcase on April 1st at The Boarderline for Before The Gold Rush….

In my absence the EP I recorded last autumn with Maya McCourt as Various Guises has had some airtime on BBC – Radio 6 – (listen here). And, the stunning film, Purple Heather by Alfie Dale, for which we wrote some music has been finished! see the trailer here:

Purple Heather

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More to come soon.

x

Blanche

Looking back, and forwards….

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So, I hear it is a new year. I thought, seeing as I’m sitting in bed with the flu, I’d use the time to reflect on a few things that happened this last year, and where I’m going next….

Jagriti Yatra

This last year that has had me drawing on windows in high rise buildings, sketching at festivals, partaking in several exhibitions and starting new series’ and collaborations…. began, what feels like a long time ago, on a train.

I was traveling the width and breadth of India with the Jagriti Yatra, a charity for young social entrepreneurs. Working with with my colleague and good friend Temujen Gunewardena we captured the two week train ride in a 15 meter long illustration….

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and all the while I kept a personal sketchbook of our travels…

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Mythologies Series

In the late spring I made a call out for an author to create written illustrations for this series of over 40 drawings and their myriad cast of eccentric characters.

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Since then I have been working in collaboration with the Ines Ferreira a visual artist, maker of art-books and author of humorous, strange and serious, magic-realist worlds. I entrusted Inez with my Mythologies family and have loved reading the stories that have emerged. The concept, of creating a book or exhibition from this combined work, continues to develop in response to the work.

I cannot wait to read more and find the full shape of this series but I am also enjoying the slow pace. The project has a staying power,  I so often quickly abandon finished work for the next project, it a great practice to keep returning to pull more threads from the initial fibre.

Portraits At The Ashmolean

I spent a great evening in the spring at the Ashmolean museum in Oxford as ‘The Wandering Portrait Artist’, creating colourful portraits of the guests at the museum’s Andy Warhol inspired Portraits night.

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Black and White

My usual palette is fresh, bright and bold, full of citrus, sun and luminous shadows. The Ashmolean project pushed my colours to pop-art saturation… but, in the autumn, I had a brief period of black and white.

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This series was twice as unusual because I was not only working predominantly in black and white, I was working from photographs rather than from life, or from my mind. The effect was rather like collage, taking elements from my own photographs and other images and interweaving them to create cryptic narrative scenes. This series was exhibited at the Creative Connections studios in East London in November.

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Various Guises EP

November saw the launch of the Tide Take Him EP by the folk duo, Various Guises, myself and Maya McCourt. I was able to bring my art and music together in artwork for the EP and in song illustrations. I curated an exhibition at the launch and exhibited the EP artwork alongside the work of other artists on the theme.

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Etsy Shop

Having clambered onto the social media of Instagram the year before I forged even further into the world of zero’s and ones this year by opening an ETSY shop… currently it is stocked with prints and framed work and I look forward to putting more original work up.

Believe it or not – it seems to be working, I have so far sold prints in the UK, Austria, Australia and the USA !

Colourful Nudes

As December grew darker and greyer, I began a new series of delightfully colourful, naked ladies with extremely strange hair.

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 The Christmas Market

In December I also returned, almost by surprise, to Christmas Markets for the first time in 3 years, and had a fantastic time. It’s that lovely feeling of selling your work to someone personally, knowing where it is going to and what kind of home it may have…

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I sold a lot of original work including two members of the Strange Familiar’s, another series that mixes text and image in a short story, or mysterious narrative, style. The rest of the Strange Familiar family may be found in exhibition in 2017

and last but by no means least…

Crisis

I had the privilege and pleasure of working with Crisis this year as a volunteer, making portraits of the guests, giving drawing classes and helping in any other (totally unrelated) way I could. There is something in a portrait, that means you have been seen, and recognised. There is also a connection that is made by sitting face to face with someone for ten minutes, completely aware of one another without having to talk, only letting conversation come of its own accord. Many guests kept the portraits, others sent them to family, to their kids or mothers. I don’t think could use ink, paint or graphite in a better way. I’m very grateful for the experience.

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What next?

On Friday I leave for Barcelona for a period of self-directed study. Very little is decided except that my oil paints are coming with me and I plan to wrestle the caps off the tubes where they have gummed up and become stuck from lack of use. Drawing will continue, of course… and the rest, is all adventure. The main question is if there will be space for clothes in my suitcase, when all the art materials are in there.

And, of course, the eternal question of wether the gods-that-be will allow my banjo on as hand luggage.

¡Adios!

New work… Strange Friends….

A new body of work has been growing… always bodies, always metamorphosing, always emerging from I’m not sure where, and becoming strangely familiar by the time they’re finished, as if I’d seen them a long time ago, and only just remembered them.

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As usual I don’t know their story before hand, but after I’ve seen them I can guess, and these guesses go into the titles.

The series is growing quite fast, the question really, is whether the pages of this sketchbook, or this particular 8B pencil, will run out first and mark the limit.

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I would like to exhibit them all together, as a community, but for now the community is still growing… you can see them emerging here

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There is a narrative stream working its way through these figures, like a collection of short stories, myths or folktales. I’m not sure of the theme, but the work reveals itself, and answers are dead ends.

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So, many minds, the crown hands, tea, and more to come.

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Jagriti Yatra Artwork In Full

At last I have managed to turn the 15 meter concertina sketchbook that recorded the last Jagriti Yatra journey around India into a digital format!

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“Jagriti Yatra is an ambitious train journey of discovery and transformation that takes hundreds of India’s highly motivated youth, especially those who are from small towns and villages of India on a 15 day, 8000 km national odyssey to meet the role models – social and business entrepreneurs – of the country.

The vision of the Jagriti is ‘Building India Through Enterprise'”

Such an intense journey, living on a train with amazing people and experiences and transformed into this artwork by myself and Temujen Gunawardena

working in all sort of places and situations over a mad 15 days..

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You can see the epic size of our art odessy here…

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So, to make it visible in the world of on-screen formatting I’ve divided it up in the gallery below for you to browse in detail… or…

Click here to see a video of the artwork in motion under the hands of myself and Temujen Gunawardena…

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Click the pictures to browse through the gallery…

Exhibition of the full artwork coming soon….

see previous posts for more drawings from my personal travel sketchbook

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India: Travels and Drawings – Part IV

Well, It was a while ago now and London has me swept up in all it’s fever again so this latest instalment of the India trip has taken a little while to come through but here it is.

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With the last few pages of my sketchbook and some of the work I did with Tem and the Jagriti Yatra and the last two weeks of our journey in the wake of the train ride, reeling from the intensity of our experience on the rails we made our way back up north…. to Rajasthan.. on one more long train.

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This was on the train North from Mumbai towards Pushkar. Tem made friends with family sharing our overnight compartment and taught the father origami. I painted his wife who was perpetually amused and always bursting into laughter. They bought some fruit from a lady with a basket on the platform at a station and offered us some. They were good. At each station people got off to wander, stretch their legs and buy stuff, only getting back on again once the train had started to grind lazily out of the station, walking or running alongside and jumping back in the doors.

Pushkar – Kite Festival

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This was undoubtedly one of the most joyful things I saw in India, and perhaps have ever seen – every man woman and child standing on their roofs in beautiful pushkar flying colourful paper kites that hung in proud tatters from trees and buildings and telephone wires for a long time afterwards.

You could get kites from 3 rupees and they were flown from dawn till dusk for days.

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Tem and I also met up with Anna who, marvellously, had a banjo with her. We spent some time together.

The Blue City…
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In Jodphur the streets are narrow and the buildings blue, and found ourselves a wonderful guesthouse that felt like an Indian Fawlty Towers. Highlights were Sunni, the father of the family coming into our room to sweep a dead pigeon out from under the old wooden sofa on the second morning – he had just remembered it was there – and finding the newspaper clippings of the cast of Darjeeling LTD who seem to have stayed there during filming.

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At the fort we found this couple with their baby singing songs, all of which were beautiful and apparently meant, roughly translated, ‘Welcome to Rajasthan’. We sang them ‘How am I doing’ or ‘Twee Twa Twoo’, the Mountain Man version in return.

Next – to Bagru… The Home of Block Printing

We took up the invitation of a fellow Yatri and visited Davis Cutter in Bagru where we saw the amazing production of the block printing techniques that are rooted there.

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The long fabrics are laid out in the ‘Fields of Colour’ throughout the village, it’s an exceptionally strange and beautiful sight at sunset, especially when the fabric is collected and the earth where they were laid is stained strange tints and colours.

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I had meant this to be the final post but must leave now so i will save the last of the trip for one final post!

Find previous posts on my sketchbook travels in India:

Here – Part I

Here – Part II

And Here! – Part III

Jagriti Yatra & India travels 2015-16

Interview with The LondonY

I really enjoyed this interview with Nastasia of The LondonY. Effectively someone else asking many of the questions I should ask of myself and causing me to have a good look at what’s going on in my art, life and music.

What I do, and why,

and how.

Don’t know about ‘upcoming’, but wherever I’m at, I’m happy here for now : )

Blanche Ellis talks art, folk and how to portray people on the train without getting noticed.

Read the full interview on the LONDONY website here

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India: Travels and Drawings – Part II

For the first 15 days in India this was our mad itinerary,

 travel by night…

new place each day….

except for when we travelled for up to 42 hours without stopping.

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In all the different places Tem and I met projects and role models for social entrepreneurship and took graphic notes, on walls, and floors, and trains…. all over India

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And in the meantime I kept my personal sketchbook going…

Instalment II of India Sketchbook follows:

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We visited Gram Vikas and heard about their work in community health particularly their surrounding water and sanitation in rural areas. We visited the village pictured above. It was beautiful, particularly the amount of care that went into decorating each home and the hand-painted entrances and doors… but also very strange to be 450+ outsiders walking through a small village, looking at peoples homes.

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Mohit from the School of Social Entrepreneurs  – on the left was our bunk mate and a great host (despite being a guest himself on the train.) He never looked that glum in reality.

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At the amazing stone carved and brightly coloured temple in Madurai I experienced a ‘blessing’ form a ‘boff’ on the head from an elephants trunk.  It felt a bit like a head hug.

We ran drawing workshops in our compartment on the train some evenings and the lovely Kinjal was a great model! Amazing bone structure and poise. It was great to facilitate other peoples artwork, come up with games and do a little teaching along the way. It’s something I really enjoy.

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I occasionally had a moment in my own mind and came out with the strangenesses therein… and drew the cities flying by the train window.

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More strangeness from my head, after having an allergic reaction to UV light (which is a problem I have with sunny places). I thought about how even when bodies are broken, failing, somehow undermining their own purpose… still they’re strangely fascinating and beautiful things. Maybe this is one reason I’m so drawn to the image of the twisted body. I doubt anyone does, but I certainly don’t know what it is to have a ‘perfect’ body. The imagery that I relate to, internally, that comforts me, and that which fascinates me, is not the ‘ideal’ but the fragile, twisted Egon-Shiele-like bodies. They are so alive, not in spite of their defects and distortions, but because of them.

Their tension is their life.

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In contrast to this, is the watercolour on the right hand page above.

On new years day, for the first time, I used the UV filter film that I have recently discovered. I put it on a window, and sitting at my train seat, with my sketchbook, curtained off from the rest of the world I sat with the sun on my face for the first time in some years. It was beautiful. And I watched the sun come up through the haze, a blood-orange rag in a haze-cotton sky, and watched it sink, grey and purple into the black.

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Sunlight Spills From My Window Sill 01/16

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India travels 2015-16.

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More artwork from this and other projects:

@blancheellisart