Songs For Sight, September 2020
An exhibition of art, music & poetry
Please email inquires about artworks to email@example.com
GALLERY OF WORKS:
Songs For Sight, September 2020
An exhibition of art, music & poetry
Please email inquires about artworks to firstname.lastname@example.org
GALLERY OF WORKS:
Hockney’s Retrospective at the Tate Britain.
I used to draw when I visited galleries, but these days I tend to lean less on the pencil, and more on the pen, making word impressions where sketches will not suffice. With notebooks overflowing and piling up around me I’ve decided now to share these reflections, not posing as a critic, but sharing and exploring experiences of art as I have encountered them and felt compelled to pen them from time to time.
Hockney’s exhibition at the Tate Britain was the first thing I went to see back in London when I got home. I had so many notes that I planned to write a walk-through of the exhibition, a fascinating journey through the work of an ever changing artist. But in the end I found I had enough to say about a single painting for one post. What was surprising was that it was a painting I had seen reproduced, and did not expect to find fascinating. This reminds me that a large part of the ‘work’ that makes an artwork work is that it takes time, attention, and presence. It is the work of the viewer, as well as of the artist that creates an experience. After a long while of looking I felt very attached to this painting, not it’s miniature reproduction on screen, but the vibrating body of the canvas itself.
Portrait of an artist 1972 – Pool With Two Figures
First of all I need to note that although I have put the image here for reference, it is inevitably limited in in capturing the impression of the real piece which I would estimate to be around three meters wide and two high. The colours also are different in real life, some are brighter, some deeper, some subtler. I’m including a black and white image because I think it leaves room for the imagination to project the impressions described.
Summer Skirt Mountain
The use of colour in this picture edges on an impressionist realism, using the standard optical tricks to create spatial illusion, purple mountains, receding objects becoming opaque, tending towards blue and contrasting with the bold, bright, warm colours of the pool and the figures, pitching them to the front of the canvas. The stones around the pool are subtly coloured, and there are remarkable white lines with flashes of yellow in the water that truly seem to dance. These things are not just symbols – they evoke the scene through an artful illusion. And yet the whole effect side-steps realism. Two things stand out to me, the intensely saturated blocks of colour in the water, skin tone and salmon jacket, and the stylized patternation of the middle distance mountain, in floral pastel hues that put me in mind of an old fashioned tablecloth, or a faded summer skirt. These things flatten the spacial illusion. I found this over and over again in Hockney’s work, the play between depth and flatness that makes his pictures self aware, breaking their fourth (or only) wall sometimes harshly, sometimes, as here, with a gentle whisper.
Draft Line, “I drew this…”
Although the foliage of the mountains to the fore is more detailed, varied and realistic, the initial sketch lines of their gradients show through the trees that have been painted on top. In an image so consummately painted, controlled and detailed, leaving evidence of the drafting process can only be intentional. And so with this, and the domestic patterned mountain the painting becomes self aware, self conscious of its draftsmanship and decorative potential. The painting says “See this scene.” it also says, “I drew this scene, and then I painted it.”
We, The Watchers
The draft line of the ridge on the right passes behind the head of the standing man, tracking his gaze and drawing our eyes down to follow his view of the swimmer. It is a line of tension. We watch the swimmer with the man in the pink jacket at the pool edge. The sense of watching, and waiting, is static in a way that might be broken at any moment, like the surface of the pool. We are drawn into the scene as participants, sharing a view, “Look”, says the picture, “Let’s watch and see…”
I am most impressed by the heavy, soft blue of the body of water that hangs in shadow above the swimmer. It functions so well that it took me a long time of observing the painting to really notice it, despite being a potentially dominating colour and hue, and so boldly placed right across the middle of the canvas. It is a quarter of the painting’s height and two thirds of its length. And it’s almost empty, courageously so. There is some colour shift but no detail, nothing happening. It is painted quite roughly in comparison to other parts of the picture, and it is that emptiness and vagueness lets the eye pass over it without catching. Like meeting the pole of an opposing magnet, your eye rolls over the thick blue mass and lands instead on the bright colours and stark shapes that surround it. The deep hue, the soft and solid nature of this block of water in shadow throws the ephemeral swimmer and streaks of living light out towards the viewer. This blue is the drummer in the band, the broad base line off which the colourful melody plays. Or perhaps it is the silence, the space between notes that allows them to strike out with such clarity. Although as a portion of paint in itself, gloriously and deeply blue, it does not display the finest of Hockney’s talents, it is used in exquisite harmony with its surroundings and demonstrates his deftness with both colour and composition. So I make this short stock of observations an ode, to the invisible blue.
By happy chance today I came across a history of blue pigments
I cannot find a digital reproduction of this image that satisfies my memory of this blue. In the picture at the top of this blog it is far too light. Screen reproductions, besides being flat and small, also play with colour and tend towards brightening everything. The more I learn about colour theory the more I realize that the mixing of colour through light (screen) and pigment (paint) are fundamentally different. The picture below has a better sense of the blue, though all else is much too dark, you get a better impression of the light and shadow in the water.
If you have a chance to go and see the actual painting, (and get your own impressions!) and the whole exhibition then please do go. It’s on at the Tate Britain until May 29th. And besides this picture there is a wealth of artwork from Mr. Hockney’s varied and fascinating works.
I would very much like to write about Hockney’s in terms of his relationship with photography but…. He has written and spoken so eloquently about this that first and foremost I suggest anyone who is interested see his documentary on the historical use of camera obscura and camera lucida by many of the revered artists of the past, “Secret Knowledge”. I honestly couldn’t recommend this more if you have an interest in the history of western art and the ways we have learned to see, understand, and construct the world around us as a culture.
Thanks for reading my first ArtNotes post.
More soon from BlancheEllisArtNotes
So I realize it’s over two months now since I left England, packed all my paints, charcoal, inks, pens, papers and a few clothes, and came to Barcelona.
My three month trip has morphed into a six month one and I am completely at home for the moment. Home is in two parts, a room with light, a view over the city, an easel, and white walls becoming a patchwork of line and colour, and a communal studio where I spend my evenings painting from life alongside the Catalan retirees of Barcelona. This is also, pretty much, my social life.
And it fits.
Trying to find my way back into oil painting and really understand it, i’ve been taking a lot of process shots which has resulted in these little animations which I love. Sometimes my favorite part is an in-between, unfinished stage – reminding me that sometimes you have to just stop! This one was done on a portrait i had scrapped and sanded down.
Not only painting, I’ve had some great models, known and strangers and been drawing –
Some of these drawings are already up on Etsy and the shop is looking more spry than ever, and, much more representative of my current work. No painting up there yet but i’ll bargain on it soon!
Drawing from movement and dance has been the best thing…. finding where observation, memory and imagination meet, giving each its space and letting them play together…
See my works in progress on Instagram @BlancheEllisArt
Also, in MUSIC NEWS...
I’ll be playing solo as part of a showcase on April 1st at The Boarderline for Before The Gold Rush….
In my absence the EP I recorded last autumn with Maya McCourt as Various Guises has had some airtime on BBC – Radio 6 – (listen here). And, the stunning film, Purple Heather by Alfie Dale, for which we wrote some music has been finished! see the trailer here:
More to come soon.
This last year that has had me drawing on windows in high rise buildings, sketching at festivals, partaking in several exhibitions and starting new series’ and collaborations…. began, what feels like a long time ago, on a train.
I was traveling the width and breadth of India with the Jagriti Yatra, a charity for young social entrepreneurs. Working with with my colleague and good friend Temujen Gunewardena we captured the two week train ride in a 15 meter long illustration….
and all the while I kept a personal sketchbook of our travels…
In the late spring I made a call out for an author to create written illustrations for this series of over 40 drawings and their myriad cast of eccentric characters.
Since then I have been working in collaboration with the Ines Ferreira a visual artist, maker of art-books and author of humorous, strange and serious, magic-realist worlds. I entrusted Inez with my Mythologies family and have loved reading the stories that have emerged. The concept, of creating a book or exhibition from this combined work, continues to develop in response to the work.
I cannot wait to read more and find the full shape of this series but I am also enjoying the slow pace. The project has a staying power, I so often quickly abandon finished work for the next project, it a great practice to keep returning to pull more threads from the initial fibre.
I spent a great evening in the spring at the Ashmolean museum in Oxford as ‘The Wandering Portrait Artist’, creating colourful portraits of the guests at the museum’s Andy Warhol inspired Portraits night.
My usual palette is fresh, bright and bold, full of citrus, sun and luminous shadows. The Ashmolean project pushed my colours to pop-art saturation… but, in the autumn, I had a brief period of black and white.
This series was twice as unusual because I was not only working predominantly in black and white, I was working from photographs rather than from life, or from my mind. The effect was rather like collage, taking elements from my own photographs and other images and interweaving them to create cryptic narrative scenes. This series was exhibited at the Creative Connections studios in East London in November.
November saw the launch of the Tide Take Him EP by the folk duo, Various Guises, myself and Maya McCourt. I was able to bring my art and music together in artwork for the EP and in song illustrations. I curated an exhibition at the launch and exhibited the EP artwork alongside the work of other artists on the theme.
Having clambered onto the social media of Instagram the year before I forged even further into the world of zero’s and ones this year by opening an ETSY shop… currently it is stocked with prints and framed work and I look forward to putting more original work up.
Believe it or not – it seems to be working, I have so far sold prints in the UK, Austria, Australia and the USA !
As December grew darker and greyer, I began a new series of delightfully colourful, naked ladies with extremely strange hair.
In December I also returned, almost by surprise, to Christmas Markets for the first time in 3 years, and had a fantastic time. It’s that lovely feeling of selling your work to someone personally, knowing where it is going to and what kind of home it may have…
I sold a lot of original work including two members of the Strange Familiar’s, another series that mixes text and image in a short story, or mysterious narrative, style. The rest of the Strange Familiar family may be found in exhibition in 2017
I had the privilege and pleasure of working with Crisis this year as a volunteer, making portraits of the guests, giving drawing classes and helping in any other (totally unrelated) way I could. There is something in a portrait, that means you have been seen, and recognised. There is also a connection that is made by sitting face to face with someone for ten minutes, completely aware of one another without having to talk, only letting conversation come of its own accord. Many guests kept the portraits, others sent them to family, to their kids or mothers. I don’t think could use ink, paint or graphite in a better way. I’m very grateful for the experience.
Really looking forward to a return to market-life this Wednesday at Baxter Stores Christmas market where I’ll be selling Christmas cards, art prints, originals and framed work…. pop in to get ideas for art-gifts as the inevitable season approaches.
Find many of these things in my Etsy shop
This guy might be appearing in an exhibition soon, at 14 Bacon St, with the other Strange Familiars…
If they don’t wander off the market stall on Wednesday that is!
In reverse of the usual order…illustrating drawings with text… to be combined into a book, and exhibition.
I’m still looking for contributors/collaborators for this project.
There are over 40 artworks to be illustrated and I’ll be publishing them gradually here and on my social media @BlancheEllisArt as the project progresses… so keep an eye out here. I may also be putting up snippets of the writing I’ve received… with permission of the authors.
Even since I posted about this last week the idea has developed, mostly because of the amazing responses I’ve had already from friends, strangers, other artists, an art-book maker and poets and authors from different backgrounds, and languages. And have found many secret authors in my acquaintances.
I’m so happy to be receiving this fount of creativity!
Words lead words…
It’s even leading me to write myself, in an attempt to track what I am looking for. Other people draw out my words with their own wonderful phrases and I feel the pitch, the roll and magnetism of the word collaboration, a force all of it’s own… changing the shape of my intension as it unfolds. Perhaps a preface…
“Word-turns apt in riddle and rhythm to trip and roll the mind causing backtrack, retrace, and circled in so turning, the sentence sense embraced. The way a picture leads the eye, not forward to finality but, with concentric in-conclusions, as a dance that makes sense-of-a-step does so by leading you both too-and-fro and leaving you, not locked, but poised by punctuation.”
The initial idea was that each piece of text be another ‘moment’ from the images story-world, a suggestion or clue that opens up the narrative to further interpretation rather than attempting to complete, or explain the picture itself. Instead of finished stories I’m looking for writing that echoes or extends the sense of mystery and magical-realism, and may do so without obvious reference to the image itself. It could be specific, detailed, atmospheric or impressionistic. All and any ideas appreciated!
As the project opens up I think the writing could be in anthropological, an impossible recipe, a critique of a non-existant novel (think J. L. Borges), a short letter, a completely brazen critique of a character, or of the picture itself .
Please share any ideas here or by email at email@example.com
See more of the images on Instagram and in the previous post and call out…
Thank you for stopping by!
‘Cubs’ – Another from the series – Mythologies.
CALL OUT: I have plans for a book and am looking for a writer.
This series has over 40 pieces and most of them emerge as if from some old myth, folk tale or strange internal narrative. This is why I call them ‘Mythologies’.
But… the tales they tell have never been written.
In the reverse to the usual relationship of text and image I am looking to collaborate with someone (or several people) to write text to accompany each picture, to illustrate the images, if you will. The idea is to combine these into a book. This writing, be it a paragraph of prose or a few lines of poetry, will sit opposite the artwork on each page and make a pair to be ‘read’ together.
The idea is that each piece of text be another ‘moment’ from the images story-world, a suggestion or clue that opens up the narrative to further interpretation rather than attempting to complete, or explain the picture itself. Instead of finished stories I’m looking for writing that echoes or extends the sense of mystery and magical-realism, and may do so without obvious reference to the image itself. It could be specific, detailed, atmospheric or impressionistic.
I’m very excited to see what emerges from the birth of this project…..
If you are interested….
I’d love to see any snatches of writing inspired by this as starting points and inspiration for the project which is just beginning and is a brand new idea, so do share this with anyone who might be interested, and email firstname.lastname@example.org for more images if you’d like to try writing something, or to discuss ideas for the project.
More images from the work can be seen on my Instagram @BlancheEllisArt
Thanks for stopping by!
after years of techno-phobia, I have got around to opening my Etsy shop with prints and original artwork from the last few years, as well as freshly created work that I will soon be adding. Although I prefer face-to-face sales, not everyone is that close by so it’s nice to open up shop to a wider range of people…
All the frames in the shop are hand-made by me to suit the artwork.
Something that I take great joy in getting just-right.
Listings will be going up over the coming weeks so keep an eye out for new work.
Find the shop at BlancheEllisArt
Lots of work from my Instagram account will be going up
so if you see anything you like there… let me know.
Thanks for stopping by !
A new body of work has been growing… always bodies, always metamorphosing, always emerging from I’m not sure where, and becoming strangely familiar by the time they’re finished, as if I’d seen them a long time ago, and only just remembered them.
As usual I don’t know their story before hand, but after I’ve seen them I can guess, and these guesses go into the titles.
The series is growing quite fast, the question really, is whether the pages of this sketchbook, or this particular 8B pencil, will run out first and mark the limit.
I would like to exhibit them all together, as a community, but for now the community is still growing… you can see them emerging here
There is a narrative stream working its way through these figures, like a collection of short stories, myths or folktales. I’m not sure of the theme, but the work reveals itself, and answers are dead ends.
So, many minds, the crown hands, tea, and more to come.
At last I have managed to turn the 15 meter concertina sketchbook that recorded the last Jagriti Yatra journey around India into a digital format!
“Jagriti Yatra is an ambitious train journey of discovery and transformation that takes hundreds of India’s highly motivated youth, especially those who are from small towns and villages of India on a 15 day, 8000 km national odyssey to meet the role models – social and business entrepreneurs – of the country.
The vision of the Jagriti is ‘Building India Through Enterprise'”
Such an intense journey, living on a train with amazing people and experiences and transformed into this artwork by myself and Temujen Gunawardena…
working in all sort of places and situations over a mad 15 days..
You can see the epic size of our art odessy here…
So, to make it visible in the world of on-screen formatting I’ve divided it up in the gallery below for you to browse in detail… or…
Click here to see a video of the artwork in motion under the hands of myself and Temujen Gunawardena…
Click the pictures to browse through the gallery…
Exhibition of the full artwork coming soon….
see previous posts for more drawings from my personal travel sketchbook