Looking back, and forwards….

art, drawing, Drawing in Public, Exhibition, folktale, Illustration, location drawing, location painting, Market Stall, portrait, Prints, reportage, sketchbook, text and image

So, I hear it is a new year. I thought, seeing as I’m sitting in bed with the flu, I’d use the time to reflect on a few things that happened this last year, and where I’m going next….

–

Jagriti Yatra

This last year that has had me drawing on windows in high rise buildings, sketching at festivals, partaking in several exhibitions and starting new series’ and collaborations…. began, what feels like a long time ago, on a train.

I was traveling the width and breadth of India with the Jagriti Yatra, a charity for young social entrepreneurs. Working with with my colleague and good friend Temujen Gunewardena we captured the two week train ride in a 15 meter long illustration….

and all the while I kept a personal sketchbook of our travels…

Mythologies Series

In the late spring I made a call out for an author to create written illustrations for this series of over 40 drawings and their myriad cast of eccentric characters.

Since then I have been working in collaboration with the Ines Ferreira a visual artist, maker of art-books and author of humorous, strange and serious, magic-realist worlds. I entrusted Inez with my Mythologies family and have loved reading the stories that have emerged. The concept, of creating a book or exhibition from this combined work, continues to develop in response to the work.

I cannot wait to read more and find the full shape of this series but I am also enjoying the slow pace. The project has a staying power, I so often quickly abandon finished work for the next project, it a great practice to keep returning to pull more threads from the initial fibre.

Portraits At The Ashmolean

I spent a great evening in the spring at the Ashmolean museum in Oxford as ‘The Wandering Portrait Artist’, creating colourful portraits of the guests at the museum’s Andy Warhol inspired Portraits night.

Black and White

My usual palette is fresh, bright and bold, full of citrus, sun and luminous shadows. The Ashmolean project pushed my colours to pop-art saturation… but, in the autumn, I had a brief period of black and white.

This series was twice as unusual because I was not only working predominantly in black and white, I was working from photographs rather than from life, or from my mind. The effect was rather like collage, taking elements from my own photographs and other images and interweaving them to create cryptic narrative scenes. This series was exhibited at the Creative Connections studios in East London in November.

Various Guises EP

November saw the launch of the Tide Take Him EP by the folk duo, Various Guises, myself and Maya McCourt. I was able to bring my art and music together in artwork for the EP and in song illustrations. I curated an exhibition at the launch and exhibited the EP artwork alongside the work of other artists on the theme.

Etsy Shop

Having clambered onto the social media of Instagram the year before I forged even further into the world of zero’s and ones this year by opening an ETSY shop… currently it is stocked with prints and framed work and I look forward to putting more original work up.

Believe it or not – it seems to be working, I have so far sold prints in the UK, Austria, Australia and the USA !

Colourful Nudes

As December grew darker and greyer, I began a new series of delightfully colourful, naked ladies with extremely strange hair.

The Christmas Market

In December I also returned, almost by surprise, to Christmas Markets for the first time in 3 years, and had a fantastic time. It’s that lovely feeling of selling your work to someone personally, knowing where it is going to and what kind of home it may have…

I sold a lot of original work including two members of the Strange Familiar’s, another series that mixes text and image in a short story, or mysterious narrative, style. The rest of the Strange Familiar family may be found in exhibition in 2017

Photography by John Banyard

and last but by no means least…

Crisis

I had the privilege and pleasure of working with Crisis this year as a volunteer, making portraits of the guests, giving drawing classes and helping in any other (totally unrelated) way I could. There is something in a portrait, that means you have been seen, and recognised. There is also a connection that is made by sitting face to face with someone for ten minutes, completely aware of one another without having to talk, only letting conversation come of its own accord. Many guests kept the portraits, others sent them to family, to their kids or mothers. I don’t think could use ink, paint or graphite in a better way. I’m very grateful for the experience.

What next?

On Friday I leave for Barcelona for a period of self-directed study. Very little is decided except that my oil paints are coming with me and I plan to wrestle the caps off the tubes where they have gummed up and become stuck from lack of use. Drawing will continue, of course… and the rest, is all adventure. The main question is if there will be space for clothes in my suitcase, when all the art materials are in there.

And, of course, the eternal question of wether the gods-that-be will allow my banjo on as hand luggage.

¡Adios!

Jagriti Yatra Artwork In Full

art, drawing, Drawing in Public, Exhibition, Illustration, location drawing, location painting, Painting, Quotes, reportage, sketchbook, Sketchnotes

At last I have managed to turn the 15 meter concertina sketchbook that recorded the last Jagriti Yatra journey around India into a digital format!

“Jagriti Yatra is an ambitious train journey of discovery and transformation that takes hundreds of India’s highly motivated youth, especially those who are from small towns and villages of India on a 15 day, 8000 km national odyssey to meet the role models – social and business entrepreneurs – of the country.

The vision of the Jagriti is ‘Building India Through Enterprise'”

Such an intense journey, living on a train with amazing people and experiences and transformed into this artwork by myself and Temujen Gunawardena…

working in all sort of places and situations over a mad 15 days..

You can see the epic size of our art odessy here…

So, to make it visible in the world of on-screen formatting I’ve divided it up in the gallery below for you to browse in detail… or…

Click here to see a video of the artwork in motion under the hands of myself and Temujen Gunawardena…

Click the pictures to browse through the gallery…

Exhibition of the full artwork coming soon….

see previous posts for more drawings from my personal travel sketchbook

India: Travels and Drawings – Part IV

art, drawing, Drawing in Public, Drawing in Public, Exhibition, folktale, Illustration, location drawing, location painting, Painting, reportage, sketchbook, Sketchnotes

Well, It was a while ago now and London has me swept up in all it’s fever again so this latest instalment of the India trip has taken a little while to come through but here it is.

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With the last few pages of my sketchbook and some of the work I did with Tem and the Jagriti Yatra and the last two weeks of our journey in the wake of the train ride, reeling from the intensity of our experience on the rails we made our way back up north…. to Rajasthan.. on one more long train.

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This was on the train North from Mumbai towards Pushkar. Tem made friends with family sharing our overnight compartment and taught the father origami. I painted his wife who was perpetually amused and always bursting into laughter. They bought some fruit from a lady with a basket on the platform at a station and offered us some. They were good. At each station people got off to wander, stretch their legs and buy stuff, only getting back on again once the train had started to grind lazily out of the station, walking or running alongside and jumping back in the doors.

Pushkar – Kite Festival

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This was undoubtedly one of the most joyful things I saw in India, and perhaps have ever seen – every man woman and child standing on their roofs in beautiful pushkar flying colourful paper kites that hung in proud tatters from trees and buildings and telephone wires for a long time afterwards.

You could get kites from 3 rupees and they were flown from dawn till dusk for days.

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Tem and I also met up with Anna who, marvellously, had a banjo with her. We spent some time together.

The Blue City…
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In Jodphur the streets are narrow and the buildings blue, and found ourselves a wonderful guesthouse that felt like an Indian Fawlty Towers. Highlights were Sunni, the father of the family coming into our room to sweep a dead pigeon out from under the old wooden sofa on the second morning – he had just remembered it was there – and finding the newspaper clippings of the cast of Darjeeling LTD who seem to have stayed there during filming.

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At the fort we found this couple with their baby singing songs, all of which were beautiful and apparently meant, roughly translated, ‘Welcome to Rajasthan’. We sang them ‘How am I doing’ or ‘Twee Twa Twoo’, the Mountain Man version in return.

Next – to Bagru… The Home of Block Printing

We took up the invitation of a fellow Yatri and visited Davis Cutter in Bagru where we saw the amazing production of the block printing techniques that are rooted there.

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The long fabrics are laid out in the ‘Fields of Colour’ throughout the village, it’s an exceptionally strange and beautiful sight at sunset, especially when the fabric is collected and the earth where they were laid is stained strange tints and colours.

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I had meant this to be the final post but must leave now so i will save the last of the trip for one final post!

Find previous posts on my sketchbook travels in India:

Here – Part I

Here – Part II

And Here! – Part III

Jagriti Yatra & India travels 2015-16

Interview with The LondonY

art, Camden, drawing, Drawing in Public, Drawing in Public, Illustration, location drawing, location painting, London Underground, press, reportage, sketchbook, Sketchnotes

I really enjoyed this interview with Nastasia of The LondonY. Effectively someone else asking many of the questions I should ask of myself and causing me to have a good look at what’s going on in my art, life and music.

What I do, and why,

and how.

Don’t know about ‘upcoming’, but wherever I’m at, I’m happy here for now : )

Blanche Ellis talks art, folk and how to portray people on the train without getting noticed.

Read the full interview on the LONDONY website here

studio blanche

India: Travels and Drawings – Part II

art, drawing, Exhibition, Illustration, location drawing, location painting, metamorphosis, Painting, portrait, sketchbook, Sketchnotes

For the first 15 days in India this was our mad itinerary,

travel by night…

new place each day….

except for when we travelled for up to 42 hours without stopping.

In all the different places Tem and I met projects and role models for social entrepreneurship and took graphic notes, on walls, and floors, and trains…. all over India

And in the meantime I kept my personal sketchbook going…

Instalment II of India Sketchbook follows:

We visited Gram Vikas and heard about their work in community health particularly their surrounding water and sanitation in rural areas. We visited the village pictured above. It was beautiful, particularly the amount of care that went into decorating each home and the hand-painted entrances and doors… but also very strange to be 450+ outsiders walking through a small village, looking at peoples homes.

Mohit from the School of Social Entrepreneurs – on the left was our bunk mate and a great host (despite being a guest himself on the train.) He never looked that glum in reality.

At the amazing stone carved and brightly coloured temple in Madurai I experienced a ‘blessing’ form a ‘boff’ on the head from an elephants trunk. It felt a bit like a head hug.

We ran drawing workshops in our compartment on the train some evenings and the lovely Kinjal was a great model! Amazing bone structure and poise. It was great to facilitate other peoples artwork, come up with games and do a little teaching along the way. It’s something I really enjoy.

I occasionally had a moment in my own mind and came out with the strangenesses therein… and drew the cities flying by the train window.

More strangeness from my head, after having an allergic reaction to UV light (which is a problem I have with sunny places). I thought about how even when bodies are broken, failing, somehow undermining their own purpose… still they’re strangely fascinating and beautiful things. Maybe this is one reason I’m so drawn to the image of the twisted body. I doubt anyone does, but I certainly don’t know what it is to have a ‘perfect’ body. The imagery that I relate to, internally, that comforts me, and that which fascinates me, is not the ‘ideal’ but the fragile, twisted Egon-Shiele-like bodies. They are so alive, not in spite of their defects and distortions, but because of them.

Their tension is their life.

In contrast to this, is the watercolour on the right hand page above.

On new years day, for the first time, I used the UV filter film that I have recently discovered. I put it on a window, and sitting at my train seat, with my sketchbook, curtained off from the rest of the world I sat with the sun on my face for the first time in some years. It was beautiful. And I watched the sun come up through the haze, a blood-orange rag in a haze-cotton sky, and watched it sink, grey and purple into the black.

Sunlight Spills From My Window Sill 01/16

Sketchbook-Journey-Part-I

India travels 2015-16.

More artwork from this and other projects:

@blancheellisart

INDIA: Travels and Drawings

art, Drawing in Public, exhibiton, Illustration, location drawing, location painting, Painting, reportage, Sketchnotes

The Jagriti Yatra.

Jagriti = Awareness

Yatra = Journey

jagritiyatrabanner copy

This charity runs a yearly train journey around India. It is inspired by the journey Gandhi took after returning from South Africa 100 years ago. It takes over 400 young Indian social entrepreneurs to meet role models and experience the diversity of their own country from the biggest cities to its most rural outposts. They examine the strengths, weaknesses and challenges their country faces, and explore and discuss avenues for positive social change through entrepreneurship. Working in partnership with Temujen Gunawardena I lived on the train will the Yatri’s and created a 10 metre long illustration capturing the content and experience of the journey. We plan to exhibit the piece in London in 2016 before returning it to the Jagriti Yatra team in Mumbai.

Working on the JY train…..

More images will follow but below is one detail of the 10 metre long drawing that Tem and I made to document the journey, life on the train and the sights we saw, the experiences we shared and the talks and ideas discussed along the way.

During the travels I naturally kept my own sketchbook journal. The first book I have bound from scratch and the orange cover of which is now scratched, scuffed, stained and filthy, the binding knocked out of all shape. And it is full of colour on the inside too. Here are some experiences from the book…….. It is so long I may have to put it up in instalments.

India Sketchbook: Episode 1:

The book begins:

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A book I newly bound.

Now a worn and frayed old friend.

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A portrait of myself by the lost and found artist Sharath Koona.

The start of a new journey.

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The opening ceremony for the Jagriti Yatra – Gauri Sharma Tripathi teaches us all how to do the Jagriti Yatra dance that we will perform almost every one of the next 15 days, often multiple times! I see an explosion of colour and fabrics. Over the travels, glancing out of train windows, I see the people of India pass as we whirl 8000km around the country from Mumbai to the South, to the East, North and then back down to Mumbai. I capture the impressions and moments of the people, I would say passers by, but being on the train, I was the passer by. They are waiting on platforms, heaving luggage and walking alongside the track.

In the city, Mumbai, on arrival one of my first thoughts, rushing through the city in a taxi, seeing the shops, the cards, bikes, buildings and millions of wares for sale:

Everything is leaning… there are no ‘right’ angles here.

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My traveling companion and partner in line and colour – Tem – experiencing jet-lag in the restaurant we ate our first dinner in. Oh delicious dosa with coconut yum. You are the best.

The Yatra begins. It involves talking, listening, learning, dancing, good food, exploration and glances out of train windows at fleeting figures on train platforms… This old lady’s dress was a magnetic magenta shade above the yellow dust and blue shadow.

More to come in…

Sketchbook-Journey-Part-II

India travels 2015-16.

More artwork from this and other projects on Instagram and Twitter @blancheellisart

Next sketchbook is under construction.

Returned from Istanbul

art, drawing, Drawing in Public, Illustration, location drawing, location painting, metamorphosis, reportage

I am just returned for the 2nd time in 8 months from Istanbul. When I visited last year, feeling an amazing fondness and love for this city I didn’t expect to be back so soon but my illustration work found me out there just last week!

Of course I stayed on a few more days and had a wonderful time running round and drawing the sights (and buying crazy things like lemon salt!)

Here are some of the places and moments from the trip….

Babel Cafe

This restaurant we had an amazing dinner, playing backgammon and snap, drinking red wine, eating phenomenal food and dancing round and sharing music with the lovely owner as we left. My friend Tem and I returned on our last morning for the most delicious breakfast dish ‘menemen’.

Late for our flight I didn’t have time to visit the beautiful junk shop pictured on the corner but this view is a familiar one I will return to easily as every road we took in Istanbul seemed to lead us back to the crossroads of the incongruous Pizza Vegas and The Babel Restaurant.

After the aforementioned evening Tem and I found a hidden away restaurant with a hidden away garden and tortoises wandering around… feeling wobbly we did portraits of each other (mostly without looking at the page) that came out just as wobbly as we were. Sitting on the swing seat and taking up two tables in this rather up-market restaurant, we recovered the will to go out and find the city.

Sultanahmet

Last time I kept trying to visit the blue mosque, or Sultanahmet, during prayer times and didn’t see it. On this trip timing was better and I got to see inside. I had imagined it being bright turquoise and almost brashly vibrant, but actually the space has a very pale, etherial quality, accented by the blue and turquoise tiles and paint, but also by reds in the windows of the domes.

In contrast to the vast airy chamber surrounding them the crowd milled on a red carpet, every woman in a headscarf of course, even the westerners, and many men wearing the long cloth skirts they hand out as you enter to cover anyone in shorts. The hustle and bustle of the jostling people in their many colours was for me, an integral part of the view. I always find myself watching the watchers.

Elections and Princes Islands

On the eve of the Turkish election, the most important in 30 years which had everyone holding their breath as the Kurds waited to see if they could get enough percentage for representation, we took a trip to one of the Princes Islands. This is the view, leaving Istanbul on the ferry.

We walked to the top of the island and saw a wild horse, and sat, and sang, and looked at the sea. We returned to feast on meze at the house of our turkish friend and to celebrate the outcome of the election.

When we got on the boat to return ‘home’ to Istanbul and our hostel it was full of people dancing and celebrating and playing music. The atmosphere was incredible. The celebrations lasted the whole time we were there….. huge crowds in the street.

Istanbul – i’ll miss you and your colours, crowds and junk shops, steep streets and fine food, and fine people – I’ll be back again. Soon I hope.

Returned – Renewed

One last memory for which I haven’t a picture – Waseem in the Juice shop – thank you for your sanctuary and sharing in our music in a moment that was needed. And for the token, hanging in my window.

Artist in Residence

architecture, art, drawing, Exhibition, Illustration, location drawing, location painting, Painting

I am happy to say I have asked to be an artist in residence at the Caravanserai project in Canning Town following the 21Artists exhibition in late November for which I created and showed artwork based around the local area. The piece itself can be seen in progress below and further images and details on the project found here.

http://caravanserai.org.uk/artists-in-residence/

I look forward to working on future projects with Caravanserai.

Exhibition this Saturday in Canning Town

architecture, art, drawing, Exhibition, location drawing, location painting, Painting

This Project 21 exhibition on Saturday 30th November is part of the Night Light Canning Town event.

Project 21

Project 21 – Collaboration between 21 different artists and disciplines at the caravanserai space in Canning Town.

My part in the exhibition will be based on large-scale drawings inspired the local architecture, urban environment and population. For me this is quite a new way of working. I am used to making small fast drawings. Research has been done in this way, by cycling around and drawing the local area, and the work itself will be started the day before and completed on the day of the exhibition. In scale and rapid completion of an entire composition this is experimental for me but I think this approach will lend itself to the work.

The idea:

Title: Structure, Shift, Lift and Lay.

Medium: Ink, Acrylic & Paper

Size: The inside of big box. Three walls and a ceiling roughly 8 ft square.

Structure, Shift, Lift and Lay is a landscape piece drawn from the developing urban area of Canning Town. The piece allows the viewer to stand back and get an overview of the area’s many layers, structures and environments existing side by side; the residential, the docks, industry, modern monoliths, old buildings, fast trains and roads, the hovering cable cars and the river. The changes taking place are vast and structural and in their wake is the cultural shift of the area with all its social and commercial potential for both creation and destruction. These changes can be seen in both negative and positive ways by different people; residents, investors, contractors, and local businesses. This piece offers for contemplation a compacted glimpse of the vast structural systems within which, and through which, all these people relate.

Autumn Spring Series

art, botanical, Design, drawing, Illustration, location painting, metamorphosis, natural observation, Painting

I have always loved conkers, they look and feel like the most delicious things in the world, they all fall in such a short time and tarnish to a dull sheen so quickly.

This year I’ve tried to catch them in their most glorious moments as they burst from their shells and start to become like wizened little old faces which populate my room until the next ‘fall’.

Autumn Spring I ’13

Autumn Spring II ’13

Autumn Spring III ’13

Autumn Spring IV ’13

Autumn Spring V ’13

Again this series echoes my fascination with metamorphosis. I chose the title Autumn Spring because there is something of the freshness of spring in the brief flowering of this autumn fruit, joining the two opposing seasons reminds me how the years roll round, and round… and round.

Autumn Spring – ’13 – Full Series