For the first 15 days in India this was our mad itinerary,
travel by night…
new place each day….
except for when we travelled for up to 42 hours without stopping.
In all the different places Tem and I met projects and role models for social entrepreneurship and took graphic notes, on walls, and floors, and trains…. all over India
And in the meantime I kept my personal sketchbook going…
Instalment II of India Sketchbook follows:
We visited Gram Vikas and heard about their work in community health particularly their surrounding water and sanitation in rural areas. We visited the village pictured above. It was beautiful, particularly the amount of care that went into decorating each home and the hand-painted entrances and doors… but also very strange to be 450+ outsiders walking through a small village, looking at peoples homes.
Mohit from the School of Social Entrepreneurs – on the left was our bunk mate and a great host (despite being a guest himself on the train.) He never looked that glum in reality.
At the amazing stone carved and brightly coloured temple in Madurai I experienced a ‘blessing’ form a ‘boff’ on the head from an elephants trunk. It felt a bit like a head hug.
We ran drawing workshops in our compartment on the train some evenings and the lovely Kinjal was a great model! Amazing bone structure and poise. It was great to facilitate other peoples artwork, come up with games and do a little teaching along the way. It’s something I really enjoy.
I occasionally had a moment in my own mind and came out with the strangenesses therein… and drew the cities flying by the train window.
More strangeness from my head, after having an allergic reaction to UV light (which is a problem I have with sunny places). I thought about how even when bodies are broken, failing, somehow undermining their own purpose… still they’re strangely fascinating and beautiful things. Maybe this is one reason I’m so drawn to the image of the twisted body. I doubt anyone does, but I certainly don’t know what it is to have a ‘perfect’ body. The imagery that I relate to, internally, that comforts me, and that which fascinates me, is not the ‘ideal’ but the fragile, twisted Egon-Shiele-like bodies. They are so alive, not in spite of their defects and distortions, but because of them.
Their tension is their life.
In contrast to this, is the watercolour on the right hand page above.
On new years day, for the first time, I used the UV filter film that I have recently discovered. I put it on a window, and sitting at my train seat, with my sketchbook, curtained off from the rest of the world I sat with the sun on my face for the first time in some years. It was beautiful. And I watched the sun come up through the haze, a blood-orange rag in a haze-cotton sky, and watched it sink, grey and purple into the black.
Sunlight Spills From My Window Sill 01/16
India travels 2015-16.
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More artwork from this and other projects:
Ellis 