Burn art. Why?
A portrait of the artist, through allegory of the Duck Headed Man.
Two floors of enormous canvases, head after head emerging from disrupted space or poised, static and clean, cut from a violence of abstracted shapes. It is wonderful to see such a great expanse of uncomfortable artwork.
Interview about my art and music with the lovely Nastasia at the LondonY
After a long while of looking I felt very attached to this painting, not it’s miniature reproduction on screen, but the vibrating body of the canvas itself.