I’ve just become part of a lovely little project in Primrose Hill where people in the community are drawing and photographing each other. There will be an exhibition at the community centre and a book of images and interviews published and called…
‘Faces on The Hill’.
It’s such a lovely idea and I’ve just finished my first portrait which is of the lovely Rachel Poulton who took my photograph.
The exhibition is on May 31st I have on my list to draw, a local lawyer, an art curator and a retired ballet dancer amongst others so I think this is going to be a really fun project !
more to come……
I have just discovered how to do these mini animations. I am fascinated with the process of painting and the plasticity of the paint, I love to flick back and forth from my progress photos watching the figure approach and melt away.
This is a self portrait that I left unfinished, you can see I wiped the eyes away in the morning. They didn’t feel right. But I became quite fond of the unfinished piece. If I leave a piece for too long it grows on me like a person and I find it hard to touch them as they have their own presence. People, I never meant to create, sit in my room and I don’t quite feel I have the right to change them anymore.
I’m happy to say I’ll be taking part in a group exhibition Obsession: Love, Ritual, Collection at the Embassy Tea Gallery in June.
My work for this exhibition is based in the art of letter-writing, as a certain ritual that embodies love, collection and, sometimes, obsession. I find that there is a spill over from words into images and vice versa…… subtle links between our verbal and image-based languages that can be very powerful.
Letters are a subject I have been exploring for a long time both in personal and in community work: Painted Veils
Further details of the upcoming exhibition below:
Obsession, Love, Ritual, Collection
OBSESSION: Love, Ritual, Collection
EMBASSY TEA GALLERY
195 – 205 Union Street London SE1 0LN
Exhibition open by appointment only 24th June – 27th June
PRIVATE VIEW FRIDAY 27TH JUNE 6PM – 9PM
Exhibition continues 28th – 29th JUNE
A group show in aid of OCD UK
I am happy to say I have asked to be an artist in residence at the Caravanserai project in Canning Town following the 21Artists exhibition in late November for which I created and showed artwork based around the local area. The piece itself can be seen in progress below and further images and details on the project found here.
I look forward to working on future projects with Caravanserai.
This Project 21 exhibition on Saturday 30th November is part of the Night Light Canning Town event.
Project 21 – Collaboration between 21 different artists and disciplines at the caravanserai space in Canning Town.
My part in the exhibition will be based on large-scale drawings inspired the local architecture, urban environment and population. For me this is quite a new way of working. I am used to making small fast drawings. Research has been done in this way, by cycling around and drawing the local area, and the work itself will be started the day before and completed on the day of the exhibition. In scale and rapid completion of an entire composition this is experimental for me but I think this approach will lend itself to the work.
Title: Structure, Shift, Lift and Lay.
Medium: Ink, Acrylic & Paper
Size: The inside of big box. Three walls and a ceiling roughly 8 ft square.
Structure, Shift, Lift and Lay is a landscape piece drawn from the developing urban area of Canning Town. The piece allows the viewer to stand back and get an overview of the area’s many layers, structures and environments existing side by side; the residential, the docks, industry, modern monoliths, old buildings, fast trains and roads, the hovering cable cars and the river. The changes taking place are vast and structural and in their wake is the cultural shift of the area with all its social and commercial potential for both creation and destruction. These changes can be seen in both negative and positive ways by different people; residents, investors, contractors, and local businesses. This piece offers for contemplation a compacted glimpse of the vast structural systems within which, and through which, all these people relate.
Oysters in Bloom (detail) ’13
In this ink, watercolour and gouache series I celebrate the beautiful things we find underfoot.
Helicopter Leaves in Violet ’13
Especially those that have carried life, in wood, or bone, or shell, or sap: objects that I find endlessly fascinating. There’s also a focus on the colours of this time of year, which are my favourite. See the full gallery here.
Autumn of Albion – ’13
I am on Camden Market in the East Yard every Sunday until Christmas with prints of my work. (And possibly more often too!) If you want to find me there or find out when I’m next going email firstname.lastname@example.org
I’m back on the market!! I’ll be down there every Sunday (and some Fridays) until Christmas – and probably more days – look here, or call/email me to find out when i’ll next be down:
– email@example.com –
I will be selling prints like last year – with a whole years worth of new material including the ‘Musicians, Writers & Philosophers’ project and a peak into a new series I’m beginning – ‘Whimsy’ yes, whimsy – until I find a better name for my playful little figures.
I will also be selling framed work and prints in frames that I have handmade for each individual work. – small selection of prints below!
‘Dots and Dashes – Dance’ – ’13
‘Kicking Up the Leaves’ – ’13
Devendra Banhart – Old Folk Song 2013
Mississippi John Hurt – I’m Satisfied – 2013
Love Knot ’13
Autumn Spring IV ’13
Autumn Spring – ’13 – Full Series
Joni In Green
Camden View from Bridge 2.
Camden View from Bridge 1.
Bertrand Russell and Eccentricity “Do not fear to be eccentric… every opinion now accepted was once eccentric.”
look forward to seeing some friendly faces down the market!
I have always loved conkers, they look and feel like the most delicious things in the world, they all fall in such a short time and tarnish to a dull sheen so quickly.
This year I’ve tried to catch them in their most glorious moments as they burst from their shells and start to become like wizened little old faces which populate my room until the next ‘fall’.
Autumn Spring I ’13
Autumn Spring II ’13
Autumn Spring III ’13
Autumn Spring IV ’13
Autumn Spring V ’13
Again this series echoes my fascination with metamorphosis. I chose the title Autumn Spring because there is something of the freshness of spring in the brief flowering of this autumn fruit, joining the two opposing seasons reminds me how the years roll round, and round… and round.
Autumn Spring – ’13 – Full Series
Here I have illustrated the shortest of stories, or a poem, by the writer Aniqah Choudhri.
‘The Fox and the Woman’ by Aniqah Choudhri ~ Illustrated by Blanche Ellis
On the road one summer‘s evening
A fox met the woman he would marry.
She smelt like otter blood and barley
With top notes of sage and honey.
He followed her all the way back
To a sleeping village where men spat
Whiskey on cobbled streets and
Cats urinated to mark their territory.
Go away they hissed to the fox
But the fox slept behind the rubbish bins
That his bride threw orange peel
and chicken bones in.
He killed a rat to woo her
and laid it on the kitchen floor,
And heard her scream of delight
when she opened the door.
His bride threw a butter knife,
A wine glass and an apple core.
Dragging his loot behind the bins
He knew their love was for evermore.
A wonderful mix of the mundane and the imaginative, a folk-tale of subtle simplicity. I hope to collaborate more with Aniqah on her writing and poetry in both illustration and song.